talhotblond

A middle-aged man engages in an obsessive affair with an 18 year old girl via the internet, in the persona of a young marine stationed overseas. As the story unfolds, we discover that neither of them is what they claim to be, and the affair eventually culminates in the cold-blooded murder of a young man who comes between them. Oh, and it's a documentary.

This particular crime is chillingly easy to unravel, as all parties involved had nearly all their interactions logged on their computers. The documentary unfolds the story as a narrative, replaying key conversations verbatim.

Aside from some detailed interviews, the film also uses fictional narration by the dead man, and running commentary and analysis by a psychiatrist who has nothing to do with the case itself, but who is incredibly witty and entertaining while setting the context of the players' actions.

It's a tragic story, and there's nothing to like in any of the people shown here, but the flow of the whole thing is gripping.

Kimjongilia

Yes, we get it. Kim Jong-Il sucks, and North Korea is a horrible place to live. I tend to think that this information is known broadly enough that a documentary would need to get pretty specific to really add something to the discussion.

Now, there are some horrifying personal stories behind these interviews. One man was born in a prison camp and kept there doing forced labor until he escaped at age 24. That's a story that deserves to be told, but it deserves more than a choppy 3 minute interview punctuated by random scenes of modern dance commissioned by the director to fill time.

It's only a 75 minute movie in the first place, and literally 15 minutes were spent on modern dance filler. I get that you want to make an emotional appeal, but you can do it a lot better by actually giving your subjects time to tell a coherent story.

Earns one star back just because the fragments of the stories they do manage to get across are really, really gripping.

The Spy And The Sparrow

Another Seattle film, featuring several cast members from that earlier abomination, The Whole Truth. At least this one does a bit to convince me that they're not terrible actors, although the overall tone is still pretty amateurish.

The story focuses on a newly retired spy trying to reconnect with his daughter who he hasn't spoken to in 30 years. A series of odd coincidences and unlikely characters contribute to a relatively weak climax, and the only thing anyone really learns is that the guy wasn't a neglectful father.

The direction and acting was decent, but the number of plot holes here is really irritating. For starters, the idea that nobody would notice random transfers of half a million dollars between bank accounts is a pretty big thing to just gloss over. An "offbeat" lawyer would fit better in a college stoner's basement, and isn't convincing at all.

But even with those aside, the entire plot hinges on characters doing random things for no reason, and especially on the main character's half sister hiding information for no reason, and in a way that's never explained at all. In a mainly character-driven piece like this, pivotal plot events hinging on stupid and unexplained actions is a problem.

The Hills Run Red

Slasher movies are kind of a peculiar thing. To be really good, they have to walk a line between gore and pathos, character development and mindless psychopaths.

After an exceedingly disgusting opening in which a young boy cuts off his face with a pair of scissors, The Hills Run Red starts off a bit slow. A student is trying to track down a print of a legendary slasher film named The Hills Run Red which was supposedly filmed in the 70s and then destroyed. After tracking down the daughter of the dead director, the small group sets off into the backwoods to find the director's home and hopefully a copy of the film.

This intro takes a good 45 minutes to play out, and to offset the relatively dry content the director cuts in random flashes of gore from the movie. These are more startling than anything else, though, and the whole thing is pretty laid back.

The second half, though, is basically a completely different movie. Ultra-violent, yes, but beyond the gore is a non-stop series of twists that leave you completely disoriented. Throw in a healthy dose of self-reflection and commentary on the slasher movie genre, and the whole thing is good, and nearly overwhelming.

The pace change between the two sections is unfortunate, since it makes the movie, already only 1:20, feel even shorter. But while the flow change is relatively jarring, it doesn't hurt the overall production too much. Worth seeing for the second half, but only if you're really into slasher gore.

Swimsuit Issue

An aging Swedish floor hockey team reinvents themselves as a male synchronised swimming team. It's the kind of plot that can turn out pretty badly in the wrong hands, but in this case the writing and acting are both quite strong, and the whole thing fits beautifully.

The pacing is perfect, drawing you along without a second of boredom or tiredness. With plenty of black comedy and character development, as well as some really beautiful cinematography and a fantastic soundtrack, this comedy is a must see.

A Pain In The Ass

You know how you can go back and watch Steve Martin movies from the 70s, and understand on an intellectual level that it's supposed to be funny while not actually laughing at all? Well, this was basically the same thing, only released in the 21st century.

Apparently it's a remake of a very old script that the director had written but not gotten to direct at the time. So the datedness makes sense. It doesn't make it any funnier, though. What does save the film to some extent is a pretty strong performance by all the main characters. With lesser acting this film would have been intolerable. As it is, there are a few chuckles here, but nothing terribly clever.

Inju, The Beast In The Shadow

A French scholar and author travels to Japan to promote his book, and goes out of his way to provoke a reclusive and possibly dangerous author in an attempt to force a meeting.

Great production overall, with strong acting, and some chilling moments in the cinematography. The plot is a bit obvious perhaps, but the main point is really in watching the chemistry between the main characters develop.

Some people are describing this as a noir, which seems to fit at least somewhat. It's a bit bright visually for that label, but the theme and pacing is spot on. Without anything particular to point to, it feels like a "classic", maybe due to the pacing and the relatively understated performances.

Slow, but interesting.